Out-Foxed.

Wye foxes, out-foxed. Photo by me.

 

Foxing along the riverbank, you two orange drops stop still at the scar that leads to the water. Lowering your heads, take a deep draw of matter through your nostrils; this cleaved soil is where all the scents of the hill fall from its westerly face before hitting the water. The cold hangs low just here, sunk into the light on the edge, trapped between cracked willows. Much of it smells of duck.

Everywhere you turn, my eyes look to what you are interested in. I want to protect those things, for them and for you. We are all running with them, in flows.

The moorhens are struggling to hide from you: one is quiet beneath the fallen willow. There are the tiny beings we both cannot see, even with your amber cat-like eyes, drifting without and within. You can smell them, they are now in your blood; raise your noses in nods to the big, open sky.

But you aren’t bothered about the moorhens, are you. You might be if they were injured, or old. There will be young here in a few weeks time. This scar gathers new blood way below the brick and glass houses sitting on the ridge with their oil tar road; a bleak spine on the way to Mordiford.

Meanwhile, where the warm January rains scour into this red sandstone point source, you continue to cross it with little leaps on your padded paws every day. Weave your scent ribbons together in the air, nose all the mallards out from reeds into a wide, silver Wye-flow. It is a meeting place, of hunter and hunted, and all the lives that support the moment.

Further on, near the railway bridge, you meet a concrete edifice, where that human spine has twisted down to the water’s edge and the strip gardens have evaporated. The river is supposed to be protected from mortgages and building contracts. Yet they are poured and bolted here to blunt your linearity. Who gave them consent? You never did. Nor the willows, nor the mallards, nor the moorhens.

Out-foxed, you are forced back along the riverbank from where you came, and all the food has vanished. And that is your daily trouble. Where to go next? You are both quite thin.

My whole house now smells of fox. Your den, of hunger.

~~~

Audio:

Trisense ~ an essay in three parts.


1. Emily
2. Lynn
3. Ginny

 

Emily

1


 

It’s barely possible to imagine the hem of her black or white dress resting close at the knee of a leather boot belonging to a soldier with so many children borne to another woman.

Metallic scents of expensive ink on expensive paper linger not in her room, but in her father’s office downstairs. She writes by hand, of course, in her bedroom, at a small, crafted desk and seated on a chair that is cut and waxed from some of the grandest trees of the Commonwealth of Massachusetts. The glories of lilac and generations of bees flavour an ordinary lead pencil, maybe a sharp knife too, laid on the desk to carve a point. Her neck is long and pale, black hair wrapped into itself at the nape, and pinned.  The line of her spine drops plumb as she breathes quick and anxious.

In bitter winter, Emily looks down through her window at a horse raising his snow-dusted hooves through drifts, the wheelwright’s toil rolling behind. They travel along the road to a neighbour, delivering to the town’s elite. Her brother’s children, released from next door, laugh in these memory grounds beneath the cold, white blanket surrounding the yellow house. She’s observed robin search for his worm at the edges, pecking at the frozen leaf piles. Her secret lover makes boot prints through her father’s garden to his place of work. He glances up to her window with a wry smile beneath his flamboyant well-groomed moustache.

Spring has raced through this year—the bulbs bursting with colour in the borders—purple crocuses, yellow daffodils with orange hearts, and pink and blue hyacinths—and then abandoned her. How must she feel? The petals have shaped her thoughts into words, but she is anxious that it will all end soon. This keeps her in with her thoughts.

In a summer heatwave, the warmth of wet soil in clay pots, and spiced leaves, drifts into her hair, and Emily throws open the conservatory windows. A bead of sweat runs across her brow when the nights are sultry. And there is fresh-pressed lavender-scented linen on her bed when thunder comes, especially when the leaves redden and fall to the first frosts.

Emily writes each letter one at a time until they make words, and lines like tiny rivers on the back of used envelopes, and orange telegrams—Baltimore orioles—and any scrap paper she can find. There is a slant of light, of truth, yes; that bright New England kind that contrasts even the palest patterned walls and white skirtings.

She writes again in her beautiful garden. Blue jays are gifts, red cardinals shock. The loud warbles of tiny Carolina wrens float along the perennial borders of the Homestead under an orderly, painted, hickory fence. Even the Magnolia tripetala leaves swelling through the winds of the Fall gently vibrate that same, perfectly hand-stitched hem just when their rosy red fruit cones are in their prime.

For now, thanks to Austin, I read they flourish beyond Homestead northward about two hundred miles from their native range and a degree of centigrade.  You are all visionaries.

Emily mouths her own words quietly and sends them silently to a huge appetite denied in public spheres. The repression bubbles up, coded in decorum. Blood flows to her lips and through her fingertips. Skin on skin, under the skin of him, and her, then through the hand; hand through wood and lead; lead on manilla, and into her pocket. She can keep him there constantly, and no-one would ever know. She smiles, politely, at Lavinia.

If Emily had split a lark herself, somehow without harm, and peered into the microscope, she’d find her neighbour Lynn searching for the slanted truth, and source codes, and yellow, deep in a cell and the organelles. This place is where all the energy is, and all that lays in her pocket.

 


 

Lynn

2


 

She’s young on her wedding day—nineteen, like my Mum. She looks happy, swept into the folds of intellectual love. As a child, she has a bright mind free to roam the woods, unhindered. Now, it’s a strong will to study, and to be with him, and to inspire. They have a child together—Dorian. They divorce.

We divorced.

From the liberal arts to a passion for the inquiring, challenging mind, science history, she keeps her hair tied, or short. And she cycles to a humming lab where she dwells on processes, where the black and white microscopes stand in rows. Soon, she is eye-deep in the cell and the organelles through the glass—the glascella—where she splits the minutiae larks, to think and theorize a new understanding. It’s that slant of light falling across all those pale, patterned neo-Darwinists with her rolling-into-words, honey Illinois.

But she takes all her nature in with her; all of it. Worms, termites, termite gut bacteria, birds, slimes, eukarya. And she knocks on the doors of the journals and they turn her away, until one day, the world just gently shifts on its axis. Life, it is proven (until disproved) is to be less anger, after all, and more love; an inter-kingdom of unions and sex and symbiosis, not war.

And Lynn falls in love again. We all do if we’re fortunate. I did. Two more children, all now flourishing, then another divorce—she’s a dedicated first-class scientist and author.

She writes her notes by hand/in type. Spirochetes spin their corkscrews in white cups, and she looks to all those men again and gently laughs. Her time is big moves, from Chicago Chickadees to the Dark-eyed Juncos of Berkeley and back again to the East. And more, to NASA, to Russia, to international councils of men, and time with mics in studios, and interviews with great writers. She’s blazing trails to lecture halls the length of the land.

Finally, Lynn finds her way home to Emily’s town and the grandfather’s college, where she is content as a botanist can be. She has moved next door to those Dickinson memory grounds. And they meet somehow over the hickory fence. Spring has raced through very fast this year—the bulbs bursting too late in the borders—and as Lynn writes through finger tips and plastic keys and memory boards in a summer heatwave, a bead of sweat runs across her brow. This is her place now, her Amherst. It’s friendships, yes Lovelock’s rainbows on Hungry Hill, and the geosciences where they also make art for her, and this is magic for her: an Earth so in sym as to be the sum.

As her children’s children laugh, her love grows for the sauce code in decorum written on manilla and chocolate wrappers just next door; Emily’s yellow. I’m listening to you, Lynn, as you swim forever wild in your Puffer’s Pond.

 


 

Ginny

3


 

I have two lives. One is before Mum’s suicide and the other comes after that. Before, I am steered by the great events of those I love. After, comes a life of trauma and healing. In healing, I emerge, though trauma is never a singularity.

As a child, I have a bright mind free to roam the Herefordshire woods and streams, and listen to larks, unhindered. My hair is long, until the chemo, tied back into a wild bunch. We meet at college, where I design with black ink on whiteboards and read Zevi. He maps gold and reads Lopez. Then, in Welsh borderlands, he gives me tandems, and our dog, and daily walks. And I know these hills like the memory grounds. After walks under rainbows on Hungry Hill, our daughter comes, and life seems the best adventure. We go to that New England light (Chickadee) and wade through Pacific waves under the Aotearoan cloud (Tui). And I still love him for that. Big moves.

But the after comes, and terrible trauma brings anger and control, and it takes a long time in the city between the Taff and the Ely for me to leave. But I do, and I find new, deep love. And so to this intellectual bird love—of  Cardiff Dippers and Albert’s Lyrebirds—I too receive a wry smile—and the hems and leather boots are in symbiosis with visions of a new epoch itself. I have scribbled in pencil on manilla envelopes our word, mirrors. They also know before and after, a lonely place to be.

How dull would life be without you, Emily and Lynn, and I pocket all the slant light and symbiogenesis I can mine in your words, forming my own thoughts and words, pushing all the hickory fences back. I mouth my own words to a huge appetite denied in public spheres. Love is never sentimentalism. Blogs (light of all the seasons) are my instruments—plastic keys— and Twitter, though there is control there and it can make me unhappy. There’s a beautiful book too, thanks to my friend Riechmann, in a language my daughter knows well. And I relish, too, the visceral art with Lyons under Welsh sleet ~ ah, the Elan horses.

You see, I grew up in my mother’s rambling garden with hardly an edge into the wild of the wood and the streams. And I tended a glasshouse, just like Emily, the warmth of wet soil in clay pots, and spiced leaves in my hair. I climbed mountains and even flew them (the Red Kites). But it was Dad who always tasked me to question. We cared for each other in the after, and I held his hand as he breathed his last. I miss him.

And to abandonment and cancer ~ how must I feel? I am still here above red sandstone, standing at the confluences. Deep down here, there are all the five Kingdoms in symbiosis spreading to cover the entire Earth. I can’t tell you, Lynn, what ten thousand miles away means, and what ten thousand miles back feels. Straight down, beneath my feet, all of time. And then to record them, and the loss ~ each mile ~ with my tiny, black mic, pinned to my pale, patterned blouse.

Daughter’s voice has grown strong in justice and language, like the river, and I learn from her. Meanwhile, I wait and write, and walk each day to Kingfishers and Goosanders, with Heron-like patience; at other times none at all, like the gleam of a Peregrine’s strike. I live Rilke’s questions, searching along my own Amethyst Brook or Connecticut—The Edw and the Wye—  imagining all the spirochetes, searching too for the light beneath my own versions of Magnolia tripetala and all their subsoil mycelium lovers and sunshine. Nothing is separate: All is flow, my rivers, yellow, and that gentle shift of the axis.

Lynn, you asked me for new words, a source code, so I give them to you. Emily, I understand you and the blood to the lips. I feel like we are the lichen on my Mum’s grave, the trisense; it takes three in symbiosis—the alga, and two types of fungi  (an ascomycete and a newly identified basidiomycete yeast), but all three must have that colour.

 

End.


 

Grief, to a Fluminist.

Lighting a candle.

A year of grief, over. It means we have loved, and we need not be fearful of loving again.


2020 has been a year of mass grief; grief for changed bodies and bodies lost forever. I am writing of people and teresapien lives, through pandemic and the vagaries of the Anthropocene. There will be more to come, no doubt.

It takes courage to love again when the love that came before has pierced the skin with a hundred needles. Grief can feel like that. But without giving and receiving love, even love for ourselves, we are all dust. It’s just the way it is, the way more complex lives have evolved, who knows, maybe all life.

Of course, we can have spells of time away from love, like we are holding a drink for someone else at a party. Some people may think they don’t care, rocks and islands and all that, but I think they do mind, deep down. I do.

Sometimes, the love shifts from one type to another, say, from romantic to deep friendship, from fluministic devotion to kindship. Eventually, we need to drink for ourselves.

Whether that love is in full view, the full public view, is another thing. Some believe love is not real unless it is demonstrable in full view of everyone and everything. That also takes courage, a revelation of something that makes us vulnerable. There is a reason why L Frank Baum’s Cowardly Lion was the bravest of all because he told everyone he met he had no heart but wanted one. It’s just that he doubted himself. We all have doubts. My father always said it’s the foolish ones who never doubt themselves.

But some of the most passionate and dedicated love stories across time are surely never told. Life on Earth, of course, is a love and death story.

The good of love may feel like the most searing punishment when the object or flow of our love is hurt or dies. This kind of pain is at least as old as eukaryote cells. We share that in common, and for millions of years. Grief is just as ancient, a kind of ancient trauma. I’m not using that word lightly. Some think ‘trauma’ is an overcooked ham, but it isn’t. When love is strong, the loss, and therefore the suffering, can’t be anything other than trauma. But it has evolved in the avoidance of death, and in the pursuit of care ~ you could say, grief is an aid for survival.

Whether you believe in the afterlife matters less if whoever stirred those emotions of joy and sadness, frustration, and even hate, suffers or suffers and dies. Mother, daughter, sister, lover, bird, dog, horse, wildflowers, lichen, moss, fungi, ferns, trees, whales, entire ecosystems, biomes, coastal cities, continents.

All that’s left are the memories. Maybe this is an icy take on what is the warmest process of all ~ two-way contentment of extreme care, celebrated in public, for all to see. If you’ve loved fully, then you’ve cared fully and lived care-fully. Be proud and content about that, because…

“it’s so much darker when a light goes out than it would have been if it had never shone.” John Steinbeck, The Winter of our Discontent.


Audio recording:

Peat Bogs and Pwca Tribes.

Bogland, Hay Bluff to Waunfach. Photo by me.

Is it possible to forge a new kind of relationship with the ecological community we in English call, perhaps, unceremoniously, peat bog?

Here in cool Britannic islands, peat has been forming since the last Ice Age, when luminous green mosses took over the quagmire. Fibrous layers of arrested entropy are fuelled by the surfacing of a froth of bryophytes, metabolizing through an exchange of oxygen with carbon dioxide, sunshine for sugar, nutrients, bacteria, and plenty of water. As each generation and their symbiotic partners die down, the decay is slow but sure in locking in carbon. Like snow transforms to glaciers, the dead are pressed down by the weight of the living into an airless solidity. If locked under rocks for millions of years, this is the stuff of crude oil.

At a tender accumulation of just 1mm per year, the process is slower than slow. In the slow period of human evolution, cutting peat to burn and grow food seemed just a nibble around the edges. But now, in full Anthropomode, the extraction is leviathan; industrialized, packaged, and shipped in plastic wraps to a peak of ignorance.

Peat bogs, high and low across continents, are keystone ecosystems in the slowing of the flow of planetary carbon. The absorptions are remarkable, storing more than all other vegetation communities in the world, combined (IUCN). At 6% of the total anthropogenic greenhouse gas emissions into the atmosphere, their degradation has a profound effect on warming.

As with all living systems classified in English, the words “peat” and “bog” together seem somewhat inadequate in describing the exquisite symbiosis and delicate processes of interconnectedness in these places ~ the kind of life-love I call Fluminism. These processes, in the name of a tiny minority of humans earning a living, are now being destroyed like there’s no tomorrow; cut, ploughed, burned, dried, stolen, degraded, and eroded. The critical second law of thermodynamics in living systems, otherwise known as entropy, is unleashed. A steadier state of life-creating disequilibrium (Margulis/Lovelock) becomes a gaping hole of profound loss.

Sphagnum Moss. Photo by me.

If ever there was a time when we ought to value natural processes capable of locking millions of tons of carbon into the ground, it’s now.

The invaluable emerald and gold communities of mossy production, which required such a delicate intersection of topographic, geochemical, climatic, and biological variabilities to begin, are vanishing.

An increase in entropy accounts for the irreversibility of such natural processes, an asymmetry in states from past to future ~ and in some cases the changes are irreversible. Even the hoof-fall of a flock of sheep can sear through a peat bog, triggering expanding evaporation of moisture that will degrade this ancient semi-closed system.

Globally, human cultures have aligned these atmospheric places of slow carbon burial with ghostly mythologies, perhaps a subconscious, spiritual warning to keep our ancestors from ruining these critical ecosystems. They are deemed eerie, often misty by the nature of transpiration of wetlands as if belonging only to lost souls and fuzzy apparitions.

Partly responsible are the will-o’-the-wisps or the ignis fatuus (giddy flames), documented and told in stories by many different human cultures around the globe. The Welsh, for instance, traditionally described the light as Fairy Fire held in the hands of mischievous goblin-fairies or nature sprites (think of William Shakespeare’s Puck) named Pwca*, who would mesmerize and lure travellers off their paths, only to extinguish the flames and leave folk abandoned and utterly lost.

We modern folk of the Westernish have forsaken such myths in favour of science and concluded the oxidation of phosphine, diphosphine and methane can cause photon emissions that can also ignite on contact with oxygen in the air. If there are bubbles of methane about, these too can ignite, and all the myths and hocus pocus are burned up into the atmosphere along with reverence and fear.

I cannot seriously suggest that conjuring a new state of fear for the precious and vibrant matter (Jane Bennett) of peat bogs will save them. But maybe love, reverence and celebration could.

When all the most technical minds are searching for ways of trapping carbon from the atmosphere, it seems utterly foolish to ignore the sphagnum mosses and their partners as a true commonwealth in the slowing, dampening, and sequestration of dangerous climate change. Maybe we can begin by joining together to form a Union of Concerned Peat Bog Lovers, or The Great Sphagnum Mossites, the Emerald and Golds, or simply The Pwca Tribe, to write and tell stories about the magnificence of the processes involved, to create an annual Festival of learning near each place, and to take time to join in reverence, celebration and protection.

Suggestions welcome, as always.


*It is thought Shakespeare may have learned of local Welsh folklore from a friend Richard Price of the priory of Brecon. Could Cwm Pwca and the beautiful Clydach Gorge be the original setting for Midsummer’s Night’s Dream?

More on Praximund.

By W. Bulach – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=64587917 Photo – the mighty Kauri, one of the most efficient nitrogen process recyclers on Planet Earth. Click on the image for more information.

Fluminism brings together my thoughts over a number of years. I offer an alternative to Biocentrism (Taylor), Ecocentrism (Naess) and, importantly, Anthropocentrism (Passmore, et al).

To be a Fluminist is to recognise oneself viscerally as part of the interconnectedness between all beings ~ Symnexia (Sanguimund), and in this realisation, to act with love, respect and responsibility in protecting these interconnections, minimising the breaking of their flows, to find fluministic ways to proliferate and send new flows ~ Praximund.

The following is an extract from my dissertation, including narrative scholarship.

~~~

5.4 Praximund: Responsibility and the Sacred.

There are problems with the theory of Rights taking precedence over Responsibilities. Many indigenous people understand this. Rights are merely human constructs, legislatively fixed (when processes are not), but politically vulnerable and impressionable by further human culture/population dominion.

Natural processes and fluministic interconnections have evolved, are evolving. There exists intrinsic, self-willed, complex patterns across space and time. Free-willed, save for our excess. We participate, as part of nature, yes. But because of this excess of destructive behaviours, rivers, forests, mycelium and migration need more than ‘Rights’ afforded only by humans, and a minority of humans at that… for this too is dominion.

So I have a name for the responsibilities and an adherence expected. A unity of opposites ~ a natural law, but not a law. I call it Praximund (latin; process/Earth) the deepest possible respect for natural processes, and a fundamental requisite of fluministic action. Infringe only with negative consequences to oneself and all life, the biosphere, as we are all interconnected. There is honour and pride in celebration and ritual of it.

There’s credence in declaring ecological interconnections sacred as a route to the protection of life, a full sanctity of life (Kumar). Nurtured this way, perhaps, the sacred become inviolable. Constituent lives are liberated to evolve with a free-will, a flourish of nature’s effervescent, green fuse. More, by cultivating a collective reverence for the presence of a community of living beings ~ through narratives, ritual and rules ~ we may look and ‘see’ life in new ways, a wave of sanguimund spreading though each one of us, the wonder of interconnected life. There have been many before us using sacred words with similar meanings now lost, and I hope many after, with words yet to be created. All I ask that we think about creating our own sacred in and with the natural world (Milton, Bateson), building narratives and exercising rituals in what is of utmost meaning to ourselves and together. Then, defend from the profane. And that defense, in sanctity and in love, will need to be strong.

Narrative Scholarship.

Guarding the sacred is not limited to protection from human intrusion. Sometimes, the opposite is vital. Sometimes, the sacred is one’s presence or consciousness and the tending of ecosystem in a loving, fluministic way. Fenced-off zones around Chernobyl have led to non-human life returning in abundance. There is a sanctity in the absolute devotion of ecological networks of that place. But the absence of humans is not a pre-requisite of the sacred.

Churches may seem at their most holy when the bells toll loudly, when the stalls are heaving with parishioners singing hymns at the top of their voices. The sacred seems to exist somewhere in the union of the people in the nave, all facing east, a sense of reverence helped along by those clever architects placing windows in the clerestory to remind of God’s presence in beams of moted dust light.

The land can hold us with a similar sense of direction, commitment and devotion. And God need not be involved, unless he is simply love. A private moment, no less, can be the touch of grace, with such strength that it can change one’s perspective forever.

I lean over my Grandmother’s grave and remember her strength. Fused into my memory cells, she’d garden with such force as to create her own weather system. This memory seems sacred, but not her grave. I feel the difference in remembering I am her kin.

It may not be a surprise the reader that I feel the sacred most in perceiving those bristling interconnections in the living world, the living, quietly seen or unseen. A humble field maple will do it, with birds in the gnarly branches and fungi at the roots. Their Autumnal yellow glow takes my breath way and I am minded to sit for hours and just be present. It is a profound love, intense and moving.

A mother fox licking her young, a tender petal opening to a bee, these are all things bright and beautiful. Light is important to me, I have been to the darkest of dark. That the direct or diffused sunlight gives succour to life seems profound. I love the light around waterfalls. So do the mosses and the liverworts.

There are also the green rays at sunset, or during eclipses, the last and first moments of light bent and scattered through our thin atmosphere like moments of magic.

Hokianga

The sacred can also be a memory, an event marked at a place only by the truth-myths passed down through generations. From the eastern sunrise, I once arrived at the spectacular Hokianga Harbour, North Island, New Zealand, an area brimming with sacred Māori sites. Yellow dunes on the far side of the bay shone brightly sucked back into a baby-blue vacuum. An incoming tide from the Tasman sea swept the bay clean with crested wave upon wave, and variable oystercatchers flew low at blistering speed (I could just make out their uncanny calls).

I followed a sign to a look-out point high above the harbour entrance and sat on a low wooden bench. I felt an immediate essence of something profound here. I was positioned somewhere on the edge of it all, and it felt like sanctuary.

Later, I walked along nearby Omapere wharf and talked to a Māori man from the village who was fishing with a simple line and hook. I was just a tourist, yet he was so generous in conversation.

He told me his Māori oral tradition, that legendary Polynesian explorer, Kupe, of the Matahourua canoe, made first Aotearoa landfall and lived here. The story goes that he named it Te Puna i te ao marama ~ the spring of the world of light ~ until in his old age he decided to return to his island birthplace, Hawai- ki. The words he spoke as he left were, Hei konei ra i te puna i te ao marama, ka hoki nei ahau, e kore ano e hokianga-nui mai ~ this the spring of the world of light, I shall not come back here again ~ and so, granted Hokianga its name.

The vessel of the sacred contains a good measure of vulnerability. Maybe this is an essential tension that drives us to protect.

Great sacrilege occurred at Hokianga, long after Kupe’s departure, against the endemic and the Māori. The mighty kauri trees, like the blue whales of the world’s forests, were wrenched from inland Waipoua and floated down the river for milling and global export, mainly by the hands of Pakeha (non-natives). Unlike the Māori, who would take chosen trees with a reverence, for canoe- building, the Pakeha took nearly all.

And without the kauri, large parts of the forest died and many endemic species lost forever. What was left was turned over to dairy, and again those products exported globally from the Harbour. To destroy the interconnections between living things is to destroy the most sacred ~ life.

Another Pakeha, William Roy McGregor, professor of Zoology, successfully campaigned to end logging of the Waipoua Forest in 1952 and created the Waipoua Forest Sanctuary. The sanctuary is still weak from attack, with Kauri Die-back disease laying claim to regenerating forest, and climate change will be having its effect. Let’s hope this small part of a once vast, ancient forest recovers to it’s truest dynamic state of being, given full protection and time.

Unlike the great Kupe, perhaps, I’ll return to Hokianga again one day. Modern technology makes it easier for me, though I’ll have to watch those emissions (always some kind of price to make such returns). The harbour and surrounds are a wealth of flora and fauna and, until then, it will be the distant sounds of the oystercatchers, torea-pango, that will remain in my memory as symbol of the sacredness of that place. If I am quiet enough, I can still hear the sacred, right now in my head.

~~~~~~~

The story also told here Te Ahukaramū Charles Royal, First peoples in Māori tradition – Kupe, Te Ara – the Encyclopedia of New Zealand.

~~~~~~~

For more on Māori reverence, customs, ritual and stories, including the mauri of the forest (the life-force) invested in objects and buried under important ecological places or tane trees, as acts of protection.

~~~~~~~

End note: Waipoua Forest was bought by the settler-colonialist Government from the local Te Roroa Māori in the 1870s for around £2000, no doubt putting them under immense pressure beforehand. Locals were disenfranchised from the receipts of logging, except to be employed in some of the most dangerous work. McGregor’s protected area was a legal entity under the Laws of the New Zealand Government, yet was suspended in the 1970’s for further logging. After yet another campaign, it was stopped. I wonder, if the practices of mauri “life-force” had been continued by all, and regularly, would this infringement have ever occurred?

~~~~~~~

 

 

Beavers are Fluminists.

Beavers are Fluminists. By Ginny Battson. First published by Zoomorphic October 9th 2017.

Spring 2005, and I peer through my living room window to check the weather. It’s looking good, the sun is out. My husband has left for a day’s work at UMaine Orono, so I lower my baby girl into her papoose and strap her in. We are through the fly screen door and out onto the road.

The residential lots of leafy Gilbert Street are studded with blue and red flags, remnants of last winter’s political war that saw Republican oilmen G.W. Bush and Dick Cheney take charge of the Whitehouse for a second term. With Ben-dog on a long leash, we follow the battle flags west, casting purple shadows ahead of us. We walk past classic-style weatherboard homes and gas guzzling SUVs slewn across hardstandings until we find the end of the road. Tarmac gives way to paper birch and alder and we greet the softer edge of the great American Eastern Deciduous Forest. It feels like a rite of passage.

In the human realm, I am entering The Orono Land Trust, a public/private non-profit organization, legally banding sections of post-logging and regenerating northern hardwood forest together for the purpose of wildlife protection and local enjoyment. This forest seems fairly tame compared to the great national parks of Maine like the Katahdin Woods or the rugged Mahoosuc Notch of the Appalachian Trail. But even here, surrounded by roads, including the Interstate 95, I have seen fresh black bear scratches oozing sap from bark. It’s not like entering the woods back home in Wales.

Elbows in, we slip-slide down a wet path to the Johnny Mack Brook where olive reflections of a newly unfurled canopy merge with black and silver melt water. Better still, this is the realm of Castor canadensis, the North American beaver, larger than their Eurasian counterpart, maybe up to 60lbs of large, brown rodent. And they dwell intensely here on the easy inclines of the Johnny Mack; signature gnawings, dams, lodges, mud ramps and woody debris in droves. I long for my baby to see a wet nose or a rippling flank in the stream. But they are largely nocturnal, and we’re a little late in the morning.

As First Nationers shaped the North American landscape by brush fire, up to some four hundred million beavers shaped it by water. But these eager river-keepers were almost obliterated in the 19th Century, not least by the huge British Hudson Bay Company. Armies of trappers were sent into the woods and onto the plains, with a blood-lust for warm pelts to make felt hats and hard cash. And in killing the beaver, the outlanders changed the very nature of the land, and wounded the culture of the indigenous peoples, in gun trade and disease. When only one hundred thousand beavers or so remained in Canadian territory, a new European fashion for silk hats ended the profit in beavers. Perhaps, if it were not for Grey Owl (Archie Belaney), and others who followed, ‘Ahmik’ would never have returned to its North American range and beyond. Yet, even today, beaver numbers are a fraction of what they used to be, with so much more habitat swallowed up by human development and agriculture. And still they are hunted and persecuted in some quarters.

I learn from rivers, as do the beavers. I spend time in and around them, observing and sensing. Two and a half thousand years ago, the ancient philosopher Heraclitus also wrote on the profound things he learned from rivers. In an age before science, he looked for guiding principles in nature. What he found in rivers was a permanence in a reality of apparent change. All is flux, a matrix of matter and movement. The river is an analogy for an elemental cosmos, yet materially effervescent. Rivers are also life systems ~ complex and dynamic.

Beavers, the river keepers, have evolved to be more than the sum of themselves. Beavers live in the life-flow, interrupt and send it in multiple directions. Known to ecologists as ‘keystone,’ First Nationers instead call them ‘sacred centres’ of the land. For they are whirling hubs of life-influence and life-confluence, integral to the flow just as mind cannot be separated from body. They are dam and bridge builders, storing water at times of plenty for times of drought. They sequester carbon by trapping it in fluvial muds that eventually become rich soils. They are coppicers; the trees they fell to feed upon and rear their young will regenerate, beaver-cuts catalyzing a diversity of plant and animal life. They are also wildlife protectors ~ during winter, woody debris left trapped behind dams are buried beneath deep snow, and provide shelter for a host of smaller mammals and reptiles during the bitter cold. And then, when the northern hemisphere tips nearer to the Sun, melt water form reservoirs and a rising water table, creating habitat for amphibians and a plethora of bird species, including waterfowl ~ wood duck and heron, migratory waders and passerines. New lentic deeps amongst woody debris provide fish fry safe passage to grow to adulthood. Majestic osprey take the adults. In lotic flows downstream, clouds of black fly larvae lay submerged, attached to substrate with silk, to emerge in spring and breed, then feed the bats that hunt on the wing above the beaver-cuts. The dams may eventually blow-out by flood, and the beavers will find new territory. Upstream, moose rear young on regenerating meadow grasses years after dams are abandoned. This really is rich habitat; the smell of river, wood and beaver is intoxicating.

If beavers could speak human, they may also say;

“Into the same rivers we step and do not step, we are and are not.” (Heraclitus Homericus B49a)

Heraclitus appeals to both human courage and sensibility ~ step into the rivers, into the cool and wet of rushing water, the flow of being. Just do it, and you shall be rewarded. We are agents of action. On the Johnny Mack, my little family and I look for beavers, as we smell the air and touch the cold waters of the stream. It’s life affirming.

I believe as we too are nature, we must recognize in ourselves a similar power for good, in that we may step into the flow, generating abundance and diversity within our one biosphere. But as with beavers, our impacts must be transient not permanent, of locale and the seasons. If we decide not to step into the flow, to remain without experience, then we deny ourselves the fullness of being. Our senses wake us to the world. Watch the beavers in their pure devotion to task, and you’ll understand.

More, step into the flow with that same devotion, and strengthen all life around us. We have exerted huge and irreversible pressures on this magnificent Earth, scavenging and parasitising by feeding from the produce of such sublime natural processes. We’ve broken ecological webs and warped the very climatic and nutrient cycles that sustain all. Nature responds to disturbance as evolutionary opportunity, but too much of a ‘hit’ and process may take hundreds of thousands of years to counter. The beaver and river exist now, intrinsically valuable, but, in union, a lesson for the human race.

Required is a critical mass of devotion, previously unknown in human history, as there are now more humans than ever before. Leaders still fixated with a ravenous desire for money and status need to be left behind. And part of this newly found devotion will also be to reduce our impacts, decolonizing just a little, for our animal-kin to flourish a little more.

Beavers are sometimes food for other species. Black bears and coyotes prey on adults. The spectacular Great Horned Owl will rear her young in an old great blue heron nest, and a beaver kit may well end up in their devoted beaks. The beavers’ sacrifice, unlike our own Western death, is more obviously complete. This devotion, the love for life and living, is a force without which there’d be no life. It is ancient ~ a form of love so powerful as to energise evolution. I imagine the story lies deep in the earliest records of life, somewhere, tucked away perhaps, in stromatolites, which supplied Earth with no less than oxygen itself. Colossal devotion must have existed in the face of all hostility and, as a metabolizing strength, within and between us now, and of all living beings into the future. As we move into increasingly turbulent times, the union of the beaver and the river is a devotion of incalculable value, a love, I suggest, worthy of the deepest respect.

Perhaps what also set Heraclitus apart from early Western predecessors was his view that the Logos, the principle of order and knowledge, is within us all. We are part of nature and subject to its fluidity. We are a unity of forces in flux. If we recognise our potential, we all morph into type. We can become beaver people, positively distributing and strengthening the flow of life beyond the sum of ourselves. I expect the Panawahpskek peoples of Maine and to the North always knew it. The patterns of life and cosmic order are dynamic, not uniform, the perfection of imperfection generating even more diversity.

So to my own eco-philosophy, that has riparian roots drawing sustenance from a small Maine river. It is one acknowledging both intrinsic value of all living beings, including humans, and their contribution to infinite and dynamic process. Existence and flow cannot be separated. I perceive flow, to and from all dimensions, including ones we are yet to fully comprehend. The complexity is endless, the minutiae beautiful. There are diatoms and microbes by the million in the Johnny Mack. They are a basic foundation of life, part of the long chains of living process across space and time, but we cannot see them with our eyes. Can we ever know everything? It need not matter. So, I introduce the word Fluminism: an interconnected narrative of a dynamic universe; there is flow to and from all dimensions, including ones we are yet to understand. The complexity is endless, the minutiae beautiful.

The next step, being a Fluminist, means ethical consequences of my actions are good, in that they are of parity with a biosphere conducive to the flourishing of intrinsically valuable, existential life. Beavers may disrupt hydrological flow for their basic needs, stalling it as it travels from mountains to ocean. But in doing so, they accelerate the distribution of flow in multiple and complex directions. A closed system opens. Entropy shifts to enthalpy and the consequences can be sensed, measured and celebrated across space-time. We, as agents, are able to protect and perpetuate the flow, coming from that same deep devotion, as in the beavers ~ beavers are Fluminists.

From the niche desires of flourishing individuals, beavers, engaging in what they do best, I see their agency as a distinct form of love ~ innate of themselves, through and to other living beings. From within to without, there is no separation. Love has had a tough time. It’s hounded as weak, ephemeral and sentimental. But truest love is also a doing word, a vital emotional signal to act on what matters most to us all. If one describes Fluminism, beyond an evolutionary, genetic biophilia and see it as an energetic force, not only towards our one biosphere, to non-human life, but towards each other. In consequence, we may see the kind of society forming envisioned by the political theorist, communalist and libertarian anarchist, Murray Bookchin. I will leave the political ecology largely aside for now, but Fluminism, I see as key relevance to shape a society un-reliant on the disconnection of state and citizen we see today. Instead, it grants empowerment of everyone via personal, local and communal responsibility for all life. Environmental ethics must now be fluministic (love/flows) to help unblock those barriers that are so un-beaverlike that they persist in depauperating, not enriching, the biosphere.

Fast forward to January 2017, and the Northeast Climate Science Center (NECSC) at the University of Massachusetts Amherst publish research predicting temperatures across the northeastern United States will increase much faster than the global average. The average annual temperature in both Maine and Vermont rose by 2.5 degrees, roughly double the average warming of the rest of the nation. The Paris Agreement on climate change aims to curb emissions in order to limit global averages increases by 2 degrees Celsius, but in Maine they will be reached about 20 years earlier, comparatively. The current elected President refuses to partake in the accord, so poor is his understanding of our biosphere. And so much for America First. The anti-fluminists have left a legacy of world chaos and a strange, paradoxical darkness looms where gas flares still burn. Trump’s election has been an unfathomable stamp of fatuity.

The further north, the bigger the climatic disparity. As Arctic sea-ice melts, the darker ocean warms by absorbing more sunlight, further melting ice and emitting heat to disrupt and stall the jet stream. This creates longer, more extreme weather events and shifts the geographical pattern of cold and warm air fronts. 2016 – 2017 has seen the highest winter temperatures on record in the Arctic Basin, with the least number of accumulated freezing days. No-one is entirely certain what comes next, especially as the global control of total emissions is still in some doubt. But more extreme weather events are predicted and the oceans are rising and thermally expanding much faster than expected. We are now witnessing rapid change. What was once Arctic tundra is now hosting early woodland succession, and increased humidity and precipitation in the form of snow means soils are warmer than would otherwise be, activating the microbes that break down carbon as it unlocks itself from melting permafrost. Whole biomes are on the move. Where willow saplings take root, the beavers will naturally follow. They are creating biodiverse wetlands in new terrain, whilst tundra species are increasingly marginalised. Observations are now recorded of beavers reaching as far north as the Babbage River on the coastal plains of the Beaufort Sea, Yukon Territory, never seen before in human memory.

Aquatic wetland is a major natural source of methane and nitrous oxide emissions into the atmosphere, and in beaver habitats, microbes will break down the organic matter trapped above their constructions. But in creating wetland and higher water tables, beavers are also preventing soil erosion, storing water during times of drought, and sequestering carbon-rich woody debris buried in boggy meadows by as much as 23% of total soils. Beavers have been busy at work for millennia under a relatively stable climate. It is human industrialisation, development and emissions that have caused the tipping points we see today. Biospheric flows have dampened to an alarming extent. Life on Earth is trying to adapt, of course, though so often blocked again by more soil sealing, more fragmentation of habitats and increased fires and floods.

Maine is deeply cold in winter, steel-frost and snow-bound, some nights temperatures dropping to way below -35 Celsius. But spring is short, maybe two or three weeks before breaking through to the sultry summers of the continental east, and ecological emanation happens in such a short period. Rising temperatures bring spring earlier ~ the further north one travels, the more extreme. And there are now serious phenological mismatches in delicately balanced food chains. So much so, the US National Park Service is now having to redefine management programmes and visitor calendars, such as citizen science counts of migratory raptors, and funding longer seasons in tackling invasive species. Back in 2004, the Republican Bush/Cheney partnership with Oil and Gas strengthened at the White House. Nearly $400 million was spent on lobbying federal government, and millions more were passed in donations to federal candidates and political action committees. The support received, by return, came in droves ~ tax breaks, environmental exemptions and deregulation, international facilitation and direct subsidies. We’ve seen a greater proportion of greenhouse gases emitted into the atmosphere as a consequence. Those oil men are culpable for disrupting the very essence of life on this Earth, dynamic process, the flow. But no-one claims responsibility.

A relatively large proportion of Maine’s species, 37%, are highly vulnerable to climate change, particularly plants, fungi, lichens and mammals. Alpine, high elevation forest, and peatland habitats are most at risk. Thankfully, the vertebrate species pool is dominated by adaptable generalists, and a high percentage of forest cover also offers resilience. But even in Maine, suitable areas for species and habitats moving from the southern New England and Mid-Atlantic states must now be accommodated, whilst planning partnerships formed with the neighbouring Canadian provinces for a similar northward movement.

Despite a laceration of roads and other human pressures, nearly a thousand acres of conservation easement have been connected by the OLT. Such conservation easements, “running with the land” in perpetuity, are a significant form of nature-protection in the US and are mapped at the National Conservation Easement Database. Certain property rights are voluntarily restricted for the purpose of nature conservation and sometimes in exchange for tax breaks. Specific objectives can be agreed by stakeholders and subdivision for human development is prevented. All the while, sustainable agriculture and forestry may continue, but emphasis veers towards shared benefits, for humans and non-humans alike. I was enlightened by the passion and generosity of those involved, the action of those who love life. The connectivity and place for species movement is vital to address the shortcomings of those who would ignore their own life support system and will not take responsibility for their actions. Scientists are mapping migration routes plus working to predict and map climate refugia zones (local anomalies in climate), providing hope for ailing ecosystems and some resilience for species. And universities, institutes and The National Parks Service are offering  land owners access to free advice, despite failed political leadership. There is hope. And there is love. To a great extent, this is evidence of Fluminism in action.

Later on that same spring day, in 2005, my daughter and I are again criss-crossing the OLT footpaths.We’ve seen porcupines very busy at dusk, with attack-tails ready to swipe and launch a fateful of quills should a fisher attack. Ben has suffered himself, more than once, each time ending in a trip to the vet in Veazie. So we’ve left him at home this time. From another little foot-bridge over the brook, serenaded by an ecophony of river, we gaze across the water and there are still no beavers willing to reveal themselves. I look deep into slit-vistas between lichen encrusted white pine and red spruce, glimpsing a luminous white tail of a white-tailed deer under hemlock. Before now, we’ve seen eastern coyotes, apparitional in dapple light. I know there are bobcats, but I never see them, but the chipmunks are a treat and my baby daughter smiles when they chatter angrily as we pass. We navigate north by fallen white pines, and other natural landmarks on the trail now stored in my memory. We’re on our way to Rampe’s Lot, a key part of the OLT.

The Rampe’s live a generous life working in public and private health care, and they are good to us. They love wild things and so contributed to the OLT with a good tract of regenerating forest. It was Nancy who first showed me the special vernal pools, liquid light mirroring the skies amidst the bryophytes, and the flutterings of re-introduced wild turkeys as they disappeared from view. Considering their small size, these wet depressions in the forest floor, left by blocks of melting ice abandoned during the grand retreat of ice-age glaciation, also host a huge array of species. Snow melts and lingers in these depressions for a while, often stained red with springtails. And because they don’t host fish, they are hotbeds for invertebrate life, particularly as breeding sites for amphibians like the blue-spotted salamander and wood frog. Soon the reptiles are drawn in. Then the wild turkeys and racoons will come. And so, up through the trophic cascade until those glorious great horned owls and bobcats come to prowl.

The state of Maine registers the vernal pools as Significant Wildlife Habitat zones, legally protecting them from destruction and development. Yet some landowners may not even realise the conservation significance of them on their land. Thanks to the dedication of academics like A.J. Calhoun and citizens like Nancy Rampe, knowledge sharing via community outreach informs better decision making at local government level. UMaine’s Department of Wildlife Ecology is contributing to the Vernal Pool Mapping and Assessment Program, locating sites and researching the importance of juvenile dispersal and habitat connectivity for successful amphibian adulthood. But with climate changing so rapidly, the vernal pools may well disappear. Increased winds, tree blowdown and the risk of forest fire all stage a real threat. Research by the State University of New York, Syracuse shows beavers may well be providing key wetland refugia for, at least, some of these species. As most wood frogs breed only once in their lifetimes, a prolonged drought resulting in no production from vernal pools may well necessitate recolonization by dispersers from beaver ponds. Spotted salamanders are longer-lived, breeding several times, lowering risk of local extinctions during drought. Further studies may well reveal closer ties but I expect the elders of the Penobscot Nation have an understanding of these patterns.

As we are seeing, it is no longer a question of conserving one species over another, the usual triage of charity towards wild non-human life. We need to protect the interconnectedness of all, and each one of us, with all our varied interests and lines of work, can participate. We need Fluminists, like Nancy and the researchers at Umaine, who love these species and habitats, and understand the dynamism of all the interconnections which constitute life. And we need them to mentor others. The flow is sent in multiple directions, with abundance and biodiversity in tow.

By example, allowing primary and secondary succession, along with the planting of indigenous vegetation, we can encourage life to flourish in individual yet interconnected self-willed patterns. To actively prevent by soil-sealing (e.g., concreting), is the opposite. We can assess empirically the abundance and biodiversity of our own practices, celebrate successes and learn from our mistakes. So many have forgotten the beauty of observing and participating in such local, natural processes. Human contentment and happiness may spring from living an interconnected and more coexistent life. Vitally, the cultivation of land for food will no longer be a threat, but an opportunity to nurture the dynamic flows of non-human life alongside what we do, like the sacred centres ~ the beavers. From shop keeping to health care provision, from clothes production to local planning, everyone can take part, or stand in for those who simply cannot through no fault of their own. Fluminism is egalitarian.

Long-term or permanent breaks in the flow are anti-Fluministic, and the accumulation of many breaks, or stops, becomes detrimental to the existence of life in the form of tipping points. Examples are tragically many, generated largely within the sphere of unsustainable human development, anthropogenic climate change, pesticide use, socio-political and economic doctrines promoting unlimited growth and inequality. However, there may be pauses in flow that remain Fluministic, in that they may appear to prevent flow, such as ‘natural disasters,’ but are only temporary or cyclical (e.g., volcanism), in time and space.

Fluministic love drives action from within to without and, no doubt, there are positive effects and affects that will return to the self. But it is the local communality where real strength is to be found, strengths expended in a multiplicity of ways across cultures, regions, terrestrial and oceanic biomes, in science and the humanities. Some may commune with a collective consciousness in all, a spiritual interconnection ~ Indra’s net in constant flux. And indigenous peoples with local, endemic knowledge and philosophy will bring much to collective understanding. Opportunities exist all over the world, in the critical formation of corridors and pathways that allow for continuous flow of species to survive, adapt and move, and in traditional and transformed practices such as permaculture, satoyama and satoumi. By placing Fluminism at the centre of decision-making, many new ways of sharing our biosphere viably with humans and non-humans may arise.

In the reductionist scientific world, and in an over-emphatic obsession with limiting cognitive bias, love has been rejected all too often as excessively romantic and sentimental. But science itself has evidentially recognised that moral judgments and ethical actions cannot be devoid of emotion. Rationality and emotion are evolutionarily conjoined, and with good purpose. Emotions need to be recognised in order to take action. To deny that the primary emotion of love exists is to deny its huge potential, a love for life, for our young, and their young, for a sense of place and life all around us. Eros lives, and thank goodness for that. Of course, there’s competition. And conflict. There is even death. But such antagonisms are no less parts of the interconnectedness of all, in the flows of the elements, of water, geology, relationships, companionship, lust, reproduction, time, tides, place, trophic cascades, air, dynamism, weather, music, biodiversity, universes, entropy and enthalpy.

There are many more fluministic species, mutualisms and cause-effect processes that offer us knowledge and hope as we aim to exit the Anthropocene epoch into the Symbiocene. The Pacific Salmon Forest is a beautiful example (true beauty shines in those dynamic interconnections). There are human Fluminists, like the Rampe’s, the people behind the Orono Land Trust, The Penobscot Nation, and those at the Department of Wildlife Ecology at UMaine. And community programmes like the Great Eastern Ranges Initiative of New South Wales and the work of the Kenya Land Conservation Trust ~ the contribution and responsibilities volunteered are Fluminism in action, the legalities being just one means to that end.

Back to the Maine woods, and it’s getting late. I’m a little bit edgy because the light is falling. As I hurry back with my baby over the bridge towards Gilbert, we hear the slap of a scaly, flat tail hitting the water ~ splash. I stop and turn us around to follow the sound. My eyes adjust to the watery scene. And there is the beaver, Fluminist, swimming, with a wet, brown head visible for a moment and shiny eyes, before diving beneath the inky reflections of a darkening sky. She’s warning others we are here. Though we’d never harm her, others might. I feel at peace knowing she is here, knowing she has a rich intrinsically valuable life, full of love for this world in the river she understands so intimately. I point her out to my baby who instinctively feels both the joy and excitement. Formative moments, for sure. There is so much yet to learn from Ahmik, Fluminist, and I walk us home full of awe and gratitude.

 

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Fluminism, creativity, and neologisms.

Lichens, by me.

As a Fluminist, I continue to challenge human chauvinism underpinning the Anthropocene; reductionism and homogeneity continue to catalyze schisms and death rather than unity and life.

I call for a purposeful expansion of the human moral imagination and creativity to help close the transilience gap, and my own work is a particular inquiry on love and language as agents of, and for, nurturing education and change inseparable from that richer imagination.

The word creative stems from proto-indo-european ker meaning to arise, to grow. I contend it must be part of the Great Turning (Macy), more the decay of economic growth and the rise of ecological growth. With an ecofeminist eye, and using my own body of work as “narrative scholarship,” I hope to actualize Deleuzian aims of creativity and practicality, opening a new opportunity of rhetorical ‘doing.’ (Miller)

All offers to help define the potential of a new era of life in natural accord, a life of organicism; the Symbiocene (Albrecht).

The word ecosystem itself is a human construct, an abstraction. In reality, there are no absolute boundaries within our one biosphere. The biosphere is the ecosystem (Margulis, Lovelock). The idea conveyed by ecosystem is that there are particular types of unities where different types of organisms persist in time and space. What is inside an ecosystem is internally related to all other things within that system (the holistic, ecocentric view of Naess ~ Deep ecology). Beyond Deep Ecology is an emergent symbiotic view of life (Haraway, Morton) that talks about “tentacles” and “entanglements”. Organisms have boundaries that are more distinct at macro level than ecosystems, yet are nested and entwined.

Post-microbiome discoveries, I conclude we should have a much more porous view of the organism than ever before. The human body (like all others) is a holobiont as it shares a common life with trillions of other organisms in the same time/space. Beyond “entanglement” this view needs to capture the essence of a shared life. We need more than “entangled” or “enmeshed” to overcome the residual Cartesian mechanism and atomism.

I contend flow is unequivocally shared and proliferated by and between all species towards life-love and flourishing. We exist and, with true understanding and demonstrable love as care, we may live a good life to the best of our ability.  We do this in symbiosis, both internally and externally, with many other beings, as do they. If the opposite occurs, flow of life-love is stemmed and, therefore, diversity, resilience and vivacity of life is lost, and we are all depleted.

Since I is really we, all being connected in our one, shared biosphere, the concept of Phronesis must evolve to incorporate traits in all life systems; a love-wisdom. This in the spirit of continuing a stream of non-anthropocentric thought via the discipline of Environmental Ethics since the 1970s. To progress, I also propose we now develop a discipline of Symbioethics, as there really is no such thing as an external ‘environment’.

I think the need for neologisms is justified when present conceptualizations fail to give adequate expression to critical features of life in symbiosis revealed through new and exponential scientific study. Ancient and indigenous cultures may already possess this kind of ‘knowing’. Fluminism and many other of my neologisms are an ecolinguistic response to a mass gap in understanding here in industrialized and community-fractured Britain. As Reuther almost put it: New Earth New Humans. As I put it: New Humans Healing Earth.

There must be a radical new assimilation of our complex relationships on the basis of these scientific discoveries, and critically, new and diverse responses embraced across the arts and humanities. Language and literature are an extension of 21st Century humans, though not exclusively. By naming a new or emerging genre, A Literature of Symbiosis (Sym-lit), however, I hope to focus minds.

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The Emergent Urgent

The Emergent Urgent, Photo by me.

I think it’s time we looked at time scales in terms of ‘doing’. The reality is the need for immediate change. Today. That everyone is not participating today is complex, but there’s real truth in urgency.

The use of the word ’emergency’ has been severely compromised. I have read on Twitter a defense of using the phrase ‘long emergency.’ A long emergency is about as useful as a flying brick,  a nonviable dialectic – AN OXYMORON. People need to understand the urgency, in mitigation and adaptation.

Western techno-industrial values, competition, fear, consequential life-styles and the general global devaluation of life for markets, that lead to habitat loss, emissions, poverty, racism, failing democracy, dictatorship, xenophobia, North-South divides, nationalism ~ please feel free to add more ~  are failing all living beings.

What we have are emerging urgencies, and we’d do well to articulate and address them.

One such Emergent Urgent is to spread the news that the globalized financial sector is not going to save lives. We must create a local, bioregional flow of support for one another and all life. We have to stop giving up our power, and giving Power excuses to wait or knock back decisions into the laps of our children and grandchildren.

Compassionate and immediate transitions are possible. COVID19 shows that immediacy is necessary, and can happen street to street. Successful countries have acted immediately and, in good part, compassionately. The same it is now on action to slow the Climate Bomb.

This is not apart from the moral imagination required in creating new/ancient world orders based on the ethics of care (in the natural sense), though we do need more. Lots more.

We already have a pool of understanding between us on some of the key changes forquired in all aspects of society, enough to begin (it’s already begun). But too many are holding on to the natural capitalist ethic, the ‘ecomodern’,  and new billionaire colonialism; perpetuation of capitalist failure ~ dominantly white, eurocentric and male. It’s harmful.

The response to the climate, ecological and human empathy/imagination crises (Earth Crisis), is The Emergent Urgent.

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On birdetal* being during lockdown. And goldfinches.

On Birdetal being During Lockdown

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Feather by me

From my rooftop terrace on a hill in the city of Cardiff, in a vague state of suspended covi-disbelief you’ll recognize, I face due South into the eye of the midday sun. A man-jumble of roof, balustrade and wall contains what would otherwise be a 180 degree arc-view from East to West. The sky is none-the-less enormous, and I love it. Each day, I observe the clouds as if they are hastily evolving species, manifesting the effects of water and sky-physics, and stealing creature-ly shapes, every once in a while, stored deep in my imagination

Everything seems in tension, between closed and open, the constraints of the streets, confinement and grief within homes, yet pinned down by the freedoms of the sky. Stitching it all together, between roofs and clouds like needles and silk threads, are the city birds. They occupy their own levels, sometimes overlapping, and to see them interact has been, so much, my corona-consolation. 

It is their intrinsic worth that sings the sweetest. Our deadly human pandemic** has liberated their song by silencing most of the dirty noise of vans and cars. They are bright and loud and confident. Right now, Bard Blackbird, perched on the end of our roof ridge, belts out beauty as if he is making up for a century of submission.

“My birds”, I call them. Forgive me. I feel to have almost become one of them. I relate to them all in my own state of birdetal being.*

The regulars who stop by most up here on my balcony are the adaptable and the generalists. Pigeons, with their glittering necks, have made this their day-time home, pairing and caressing with utter devotion before returning for the night somewhere safe where they roost. There are also the maggies (magpies) and the jack jacks (jackdaws), who are the real dancers, and the preening gulls who are dedicated, with true equality, in raising their young and to the mastery of flight. There is a satin crow I call Jet, who talks to me sometimes, and a pair of collared, cooing doves who are building their nest three chimney pots down. I’ve even had a little grey wagtail visit in winter, but she is very special ~ my beautiful, elegant river bird, completely out of place.

Below, in our neighbouring terrace gardens, there are year-round sparrows who cheep and chime nearly all of the time. And there are robins, one I call Rufus Ragnar, who rises from pruned shrub islands to sing whenever Bard takes a break. There are more garden birds I can’t see from up here, but I hear them. And they all fall silent when the sparrow hawk strikes.

High above, there are the ones who never pause. Highfalutin herring gulls, the Jonathans, cast the best shadows over me on a sunny day. Victoria Park jack jacks who flock like a clock to lime trees by the Taff a quarter to sunset every evening. There are the starlings who dash about, shining in splinters of luminescence, and the herons who flap in lazy zigzags, high up and unexpected. Few are the mallards, who cannot fly without telling us all well in advance they are coming. There are new and curious red kites circling; and the peregrines, supreme and terror-flying. We all stand stock still when they are about.

Life. It’s all here among the rooftops and chimneys. No compromise. The main events, have no doubt, are love and loss, youth and aging. And we are all joy, bitterness and reflection. Sometimes, my pigeons sit quietly next to me, on top of the poorly whitewashed roof terrace wall, three floors up, taking in the same, wide view with thoughts of matters much, much further away than we can ever truly reach. 

The Goldfinches ~ Carduelis carduelis

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Goldfinch by me

The birds I least expect to see in number over a city, especially in Summer when more return from Spanish migration, are the goldfinches. 

In the ‘wild’, their long finch beaks are so perfect for the delicate extraction of difficult seeds to forage; the Senecio family (groundsels and ragworts), thickset thistles, and the Dipsacus fullonum (the teasels). Yet they thrive here mainly because of the fine, beautiful black niger seed sold in garden centres and pet shops, poured into feeders and dangled around small terrace gardens and on patios for them to enjoy. As they fly over the rooftops from one feeder to another, they remind me of nursery school children released into playgrounds at break time, chirping with the unfettered emotions of liberation. Their sounds and sight lift me up too, especially since I am currently ‘shielded’ and confined to my flat.

The collective noun for goldfinches, as The Lost Words elegantly reminds, is a charm. Collective nouns arose from the feathers (quills) and inks of early medieval French and English hunters, mostly by the ruling classes, or those that documented their elite colloquialisms in celebration of their elite pursuits. Our Eurasian relationship with goldfinches is as historically complex. Not only were they hunted, but captured, traded and kept confined as pets, at least since Pliny the Elder wrote about this strange human obsession, just after the death of Jesus Christ.

“The smallest of birds, the goldfinches, perform their leader’s orders, not only with their song, but by using their feet and beak instead of hands.” Pliny the Elder, Natural History.***

Deep inside our pre-frontal cortexes combined with cultural memory and emotional response, we are somehow wired in what constitutes beauty. These birds are certainly a dash of colour with their blood red faces, black and white stripes and yellow brushstrokes painted along their wings. But this doesn’t explain the cultural need to covet and possess. Perhaps we may look to their celebration in aesthetics, as many iconic artists have tethered goldfinch imagery, in paint, to wood and canvas. 

Many of these images are rooted in Christian religious symbolism. One of the greatest artistic masterpieces of the Italian Renaissance is, it is said, Raphael’s Madonna Del Cardellino, The Madonna of the Goldfinch painted 1505-6. The bird is cradled by the child, John The Baptist, and in the presence of Mary and her child Jesus. It is the depiction of the boy’s crucifixion as a prophecy that came to pass, as was John’s life and death. Legend has it, as Jesus died on the cross at Golgotha, a goldfinch flew down to his Crown of Thorns to remove them from his injured scalp, and was splashed with a drop of His blood. The idea of any goldfinch bearing witness of the crucifixion is utterly within reason, as they were once numerous in and around the City of Jerusalem. Not so much now in 2020, as they have been hunted, trapped and sold as pets continuously for over 2000 years, and their habitat smashed for human development.

Sixteen to seventeen centuries on, during the Golden Age of Dutch painting, goldfinches appeared once more in images such as Gerrit Dou, Young Girl at the Window, 1662. Fabritius’s painting, completed just a couple of years later, is surely one of the most famous, even more since Donna Tartt wrote her novel ‘The Goldfinch’ and won 2014’s Pulitzer Prize. The book was never about goldfinches. This is a sophisticated story of a boy who rescued (stole) Fabritius’s painting from a gallery in New York, after surviving a terrorist explosion. The burden of this secret is carried through the trials and tribulations of his life.

“Sometimes we want what we want even if we know it’s going to kill us.”

Theo, the boy, hid and prized the painting, perhaps in a symbolic processing of his mother’s death. She had died from the bomb blast, just like the real and violent end that came to the painter himself. Fabritius was caught in the explosion of the Delft gunpowder magazine in1654, which killed at least 100 people and destroyed a large part of the city, including his studio and many of his paintings. The Goldfinch survived all, and is perceived as something of a resurrection. 

Art historian, Linda Stone-Ferrier contends that, in the Netherlands, both real goldfinches and painted ones were found commonly in and near windows, as a symbol of neighbourly social exchange. For its time, Fabritius’s Goldfinch must have been hugely novel in its life-size and three dimensionality; a trompe l’oeil, fooling the eye into believing it reality ~ perhaps, installed near a window as a trick to lure the good will of passers-by. 

But with my Fluminescent sensibilities, I see the photos of the painting and feel pain. The golden chain glints hard and sharp, tethering a tragic bird, otherwise born to fly free, to its wall-mounted, closed, tin box of seed. This is yet another disembodiment, that the bird cannot ever forage for him/herself, the whole scene being fixed for hundreds more years in some nightmare painterly incarceration.

In his Guardian article 2014, Caspar Henderson writes of the modern painter ATM, and the mythical murals he painted around London ~ the birds of his childhood ~ one being a goldfinch.

“Typically between two and three metres high, and depicted with their subtle natural markings, they seem like giant projections from the collective memory of places now hidden beneath the roar of the city.”

Again, I feel an intense isolation, the bird painted away from his/her ecological flows. It’s a giant ghost, out of scale, captive to the wall, street, and city, waiting upon the spell of the human gaze for a life they cannot ever truly live. The mural reminds me of when I see wildflowers named with chalk on a pavement. I crave for so much more, for the flowers themselves, and for human passers- by; arrows to show the species that sustain them, and those they sustain. The real beauty of nature, I contend, is in the direction and dynamism of all the arrows. 

ATM has said he was inspired by the early prints of John Gould, tending to show, at least, a favourite flower or perch in composition. But once again, these are aesthetically appealing to the human eye, and in danger of being only extrinsically valued by us and, therefore, the only lives worth saving. Nature is so much more. Species in isolation are trompe l’oeil tethered by golden chains.

My goldfinches live seemingly vibrant and free lives, with their flights of excitement, overheard and overhead, several times each day. But really they are here only at our behest. Niger seeds, native to Ethiopia and Malawi, are commercially grown in huge quantities in India and Africa, and traded to Europe in the bird seed markets. They resemble sunflower seeds in shape, but are smaller in size. They are encased in a thick, seed coat, and can be stored for up to a year. Before they are exported, they are sterilized by intense heat to prevent germination, and to kill off any other seeds in the mix. 

Do we want our birds simply as trompe l’oeils, feeding on seeds blasted by heat in India and shipped here for distribution and profit, while the goldfinch’s true seeds of delight are languishing brown under the damp spray of pesticides or the latest Weed-Burner-Killer-Wand-Butane-Gas-Blowtorch, marketed for the sake of what is deemed beautifully tidy by Dekton or GoSystem on Ebay or Amazon (sometimes the same places you’ll find niger seeds for sale).

So much energy, capital, and dependence upon markets is nurtured, whereas our own groundsels, thistles and teasels are classed as ‘weeds,’ and purged for the sake of a false idea of what beauty truly is ~ clipped, manicured and tidy. How compulsive are we, as a species, to want to force and possess beauty, regardless. These beings are part of the flows of all life (Fluminism), the interconnections (the arrows), being the most worthy of protection.

I want goldfinches to be all the things we Eurasians have historically not allowed them to be. Heedless of religious symbolism and childhood myth, I want them to sound their excitement released from 2000 years of chains. They may be a mirror to the image of ourselves, in that we too need to feel those infinite connections impressing within and without us. Neither do they need our trickery, our trompe l’oeils.

They want to be real, foraging for their natural, local seeds pollinated in resilient ecological flows with plenty of cover against predation. Fluminism is the love that provides it all.

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*In deference to the wonderful work by Irigaray and Marder “Through Vegetal Being” published by Columbia, 2016. 

** Latin pan- “all” + dēmos “people”.

*** Rackham, Jones, & Eichholz, Book 10 translated 1938.

 

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Fluminismo, PDF gratis! – a beautiful collaboration.

Toda la vida es siempre fluida, simbiótica e interconectada. En la comprensión, protegemos y proliferamos los procesos de florecimiento de la vida.

El fluminismo es una forma poderosa de amor, y lo ofrezco en resistencia a la mercantilización destructiva.

Este PDF es una contribución fluminista / fluminescente de todos los involucrados en la traducción de mi ecofilosofía en forma de libro. ¡Y es gratis descargar aquí!

FLUMINISMO_Ginny Battson_PDF

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All life is ever-flowing, symbiotic and interconnected. In understanding, we protect and proliferate life-flourishing processes.

Fluminism is a powerful form of love, and I offer this in resistance to destructive commodification.

This PDF is a fluministic/fluminescent contribution from all of us involved in the translation of my ecophilosophy into book form. And it is free to download here!

FLUMINISMO_Ginny Battson_PDF

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