My own mental wellbeing, welldoing.

In the young wood, Westhope, where the sparrowhawks wheel. Photo by me.
This, chosen as one of the Guardian readers top 2010 photos.

I just want to note this moment in terms of my own mental health. As an ecophilosopher, I do not separate myself from my thoughts. It would be like ripping me apart, limb from limb. I write about life-love as a devotion, and I am similarly devoted to my cause. These are exceptional and difficult times, and it is important to recognise despair and kindle hope. If someone attacks my core devotion, and any attempt to recognise despair and kindle hope, they are attacking me.

I can take legitimate critiques of the results of my philosophical work, particularly critiques of my literary inadequacies, but not the fact that I work at all. I can take legitimate criticism of neologisms I craft, but not that I craft them at all nor the approach I take. I can take criticism of the contributions I make on social media, but not that I am a woman doing these things. Being overlooked is, I think, one of the biggest struggles of women at work. Neither do I appreciate ideas stolen from beneath me. They are gifts, of course, but I expect some reciprocal credit, especially from revered and financially successful writers.

Being a woman on social media is harder than being a man. That’s not what frustrates me most, drives my anger, self-doubt and depression. It is that my daughter faces all of this, and more. It’s tough enough facing a life with a tsunami of complex problems swallowing our beautiful Earth. That women (including trans women, especially black women), are not treated with equal respect into the future is desperately wrong.

I have written before about my experiences of 2008, so I don’t want to rake it all over. In short, I had as severe an episode of trauma as one can have without ending it all. After finding my mother’s body after her suicide, I nearly followed her into those depths of eternal nothingness. The shock and the guilt. If it were not for the light of my beautiful young daughter, the unbroken affection for and from Ben-dog, and the right help found by my husband at the time, I would not be here at all. I remember the searing feeling of a tear in my frontal cortex *, that moment of choice.

Moving home from Cardiff, Wales, to Hereford, England, straight after an appendectomy, has meant this last few weeks have been hard. Anxieties about my type 3 cancer returning bubble away. And I work hard to recognise them as such. The good news is that I returned to the woods behind the house where I grew up, where I found Mum, and I felt good about being there. I was not terrified, nor miserable. I still know these woods intimately, after all these years. I noticed where the new owners have taken out single trees for their wood burner. But there, in the young wood (see photo above), in the company of my now 16 year old beautiful daughter, I recorded my thoughts for Melissa Harrison’s brilliant podcast, The Stubborn Light of Things, episode 25 on Healing, and you are welcome to listen to it here.

Despite progress, I am still vulnerable to shocks. I struggle with keeping my anxieties on a leash. The deep sadness of a failed marriage, and a frustrated love. There is no perfect life after trauma, but there is perfection in the imperfection. I am still dependent upon medications that also drive appetite as a side effect. Covid and weight have a co-morbidity. I have put on too much weight, so I am reducing my dose, reducing my weight. I am unsettled, whilst also beginning PhD studies. But these studies are important to me. I am holding them very close, in the spirit of Frankl’s love and meaning, my own welldoing.

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  • Since documented by my Psychiatrist at the time, and discussed at a conference with my consent.

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Lumilattiss, and guest blog by Tim Sykes.

It’s striking to realise a personal sense of pure elation from the effect of sunlight in its many forms. Even more so, when light and water mix, and with sounds. I find it healing.

In our rivers, shallow oceans, even at the bottom of swimming pools and upon cave roofs, we are familiar with light refracting back and forth through gentle and chaotic laps of surface waves. A lace-like dance of photons hits our retinas, processes in our brains and triggers emotions.

These hypnotic and beautiful patterns of light are officially known as caustic networks. Most of us would assume caustic is a type of chemical capable of burning, and definitely something to avoid. But caustic, in terms of physics, means patterns formed by the intersection of reflected or refracted parallel rays from a curved surface. Keith Beven, Professor Emeritus of Hydrology at Lancaster University, describes beautifully the physics of caustics and water here at On Landscape.

Ecologically, caustic networks are instrumental to wild beings with varying sensing abilities, who photosynthesize, hide and hunt among them each day, and in ways we are only just beginning to understand

Earlier this week, Twitter friend Tim Sykes @RiversAndPeople, asked me to create a more relational word for caustics. I jumped at the chance, and spent a few days thinking about it.

I agree. I think a new common word might be useful in garnering interest in something so characteristically Earth-y (rock/water/sun), ecologically effecting, and mesmerizing in its affect upon us.

On studying the patterns at my local river, The  Wye, I saw dynamic nets, webs, lace and lattice-work. PIE root *(h)uebh- “to weave;” also “to move quickly” source also of Sanskrit ubhnati “he laces together (Etymonline.com), which is probably where old French Latiz originated.

Lumen, latin for source of light, combined with lattice spelled phonetically for ease of pronunciation across different languages ~ lattiss.

Lumilattiss.

I invited Tim to blog, and so here he writes. My gratitude.

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Photo by Tim Sykes © 2020

I enjoyed a sense of fun as I rolled-up my trouser legs and waded into the chalk stream, a winterbourne, watched by seven circling red kites and a herd of curious black bullocks. It’s not unusual for me to dip my feet in this winterbourne for its soothing effects on my racing mind and two things struck me as notable this day: the chill of the flow was toe-numbingly energising; and the crystal-clear water amplified the bright sunshine illuminating my pale feet so they seemed to glow ice-white. The sunrays were reflected and refracted by the water, casting a shimmering, shifting net onto the flinty stream bed and my feet. Lost in the moment I was transfixed by this dancing water-crazed light-lattice of star-like nodes and chaotic wavy light threads.

Afterwards I felt joyful, glee, but I struggled to describe exactly what I had sensed at the time: I think my self was suspended in a trance-like state of fascination. That evening, contemplating this further, a friend enlightened me to the technical name for this familiar phenomenon: a ‘caustic network’. To be awestruck by ethereal light is not unusual, a recent night on a beach watching shooting stars mesmerised by the dancing flames of our campfire was similarly spellbinding in a primitive and sublime way. It struck me that such a wonderful natural fluvial phenomenon deserves a non-technical, more soulful name and I asked Ginny, my twitter-friend what she would call it. As you are reading this blog you already know of Ginny’s passionate gift for forging new language and better ways of thinking to express how we celebrate and conserve the natural world and our relationship in and of it: and hence the word lumilattiss was born…

Tim Sykes is a mature, part-time post graduate research student at the University of Southampton. An ecologist by training, he is exploring our deep relationships with chalk stream winterbournes in their flowing, pooling and drying phases, particularly intrinsic and relational values. He tweets @RiversandPeople, so please do follow!

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