The Wilderness

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Terra-UK is one of the most densely populated land areas in the world. The concept of wilderness seems overly ambitious here upon our heavily burdened soils. We are sold as such a well-groomed and culturally domesticated species, at least in public, and it’s way too fashionable to tame our surroundings to a sparkling manicure. We even wash our soils down with pesticides to scrub away the wild. Every last square inch of land is property ~ accounted for and stewarded. Markets induce us to gaze upon all through neoliberal-tinted specs. Always questions of economic materialism… how does this land earn its keep? For how much will it eventually sell? How much can we pay each other for the servitude of non-human life in our stewardship? Earth is bounded and fenced, like our own mortal souls. Some now legitimately question whether there is any wilderness left at all.

Men, more often than not, have influenced the form and patterns assumed of wilderness. Women’s thoughts are less frequently aired. The why’s and the wherefore’s aside, this should never have been so. More briefly, I offer my own interpretations, and I would invite more women to contribute.

In my country, wild kin have learned to be afraid of me, and with good reason. As friendly as I try to be, my physical form represents danger and threat. The British countryside has not been sanctuary for non-human life. Huge declines in wildlife populations, extinctions and extirpations silently scream of the havoc we have caused, and significantly in the last few decades. We’ve halved the numbers of native vertebrates. Invertebrate biodiversity has plummeted. Traumas are inherited, a genetic overspill of shock, from one generation to another. Human dominion has spawned multiple genetic threads of fear and distrust. It would take much to win back this trust, especially as it may never have entirely existed. There are a rare few who gain the confidence of our non-human kin, and in their kindnesses, they are blessed and ought to be celebrated.

I do think there are remnants of wilderness, but at multiple scales. To a Violet Oil Beetle, the woodland glade is truly vast. To a Wandering Albatross, the Southern Ocean is just big enough. We have imaginations to envisage degrees of relativity. For me, wilderness is more a mental state ~ to feel wild is to experience and imagine, a complex matrix of perceived belonging (or a perception of loss). No matter what scale it presents itself, wilderness is where I come home, not somewhere I glance a visit. Moreover, my moral community extends way beyond the human, so non-humans are my kin ~ storge-love at its most tender and powerful.

There are several false premises when it comes to word-fusing “wilderness.” Some perceive it is a place inherently untouched by human hand. Yet science informs us that the Anthropocene touches all by a layer of our own techno-fossils and radionuclides. Go back. Wilderness is all about non-human life and we are outlanders? How can this be so, when we share the Earth with all biota. We are part of nature, not separate. Our presence in the wilderness ~ ourselves being wilder ~ means we can never truly be strangers. Go back.

Beasts who dwell in the wild are angry and hostile. If we dare to step deep into their realms, we become victims ~ so we mentally retaliate, sometimes before we even arrive. These thoughts manifest in all manner of ways, from the hunter’s gun to the conservator’s axe. Go in, but go prepared, SAS-style. In the Canadian Rockies or the oceans off South Africa, I realise I am more exposed to the brutalities of the food chains. But if I use all my senses, and move with a pace and frame befitting a respect for my kin, I can truly feel alive. It becomes a question of adopted endemism, a life’s process and no instant knowing, guided and mentored by skilful others one trusts and loves. There’s no war in an angry grizzly separated from her cubs, or a venomous snake simply protecting his life. Wild things are not our enemies. They are simply surviving. So we need to act with respect and care in this shared dwelling ~ the biosphere. They teach us natural boundaries, respect in all we do. Indigenous humans know this with intimacy and their culture is crafted in the skills of living (and dying). I guess they learned the hard way. All must do the same. Go back.

Finally, the wilderness is depicted as an otherwise barren place, a neglected sphere of empty desolation. It’s where we can all go, to test ourselves, to take our medicine, to seek mental victories, or fail and find our limits. Jesus went to fight temptation. But the wilderness is a dynamic and complex community first, billions of years in the making. Wild lives are interconnected, from the microbes and mycelium to the kauri trees and blue whales. Belonging is vital, and from which all flows. Learning to understand its languages, natural laws and song, Earth’s opus, is perhaps integral to something bigger than the sum of all parts ~ the Ghedeist. Yes, there is danger, doom and even death. But there is also light, as in life. Individuals matter, fluminism between all a process worthy of fierce protection. Go to the wild and you are never alone. There you will find, implicit in existence, rapturous life, passionate love, and all kinds ways to die. A wild death ~ the biological penumbra to the light-eclipse of being. The dead give life to others. Love and trauma are dihedrals in space-time ~ life begets life, yet all things pass. Far from being systems of aimless chaos, wilderness, in the individual, species biodiversity and interconnectedness, maintains a dignity and a grace.

A premise close to my own truth is that the wilderness has an aesthetic (or many), which transcends rationality. It is certainly more than ‘ease on the eye’. This truth is not that seen by an outsider ~ the painter, photographer or even poet. Their own work may be beautiful, but the truth of wilderness, instead, is the affection perceived by the lion of his pride or the pika of her purple willow herb. It is the sunlight reflected in a man’s eye as he watches his daughter climb a tree. It is the totality of the dynamic function of the living community and a pure ecophony of home.

To me, our engineered constructions are largely alien to the majority of our kin. There are some survivors, adapters, and even they are persecuted for their success, as pests. Perhaps, if the wild things truly joined us, the cities would crack under the weight of all, and those processes lost to concrete and tar would surface again and all will be well. The anarchy of love may bubble up in the same way.

But to be truly free is the choice to set one’s own limits. You can be wild and self-disciplined. I have experienced fractured moments of a feeling of freedom at certain points in life, basking on the rocks beside the River Wye in high Summer until I choose to leave, or feeling the lift from my paragliding canopy, pulling me high above the Black Mountains until I decide when and where to land. More importantly, I try to act with care, the consequences of my actions assessed for any future adjustments necessary. In real terms, my freedoms have been more of a fleeting emotion than of clear rationality. Mostly, I feel I am a good girl who should stick to the rules, but I do trespass in libertarian forays through wilder corners and canyons. To be wild these days requires a free heart and a very determined mind, but I do so wish there were fewer fences.

Back in Terra-UK, the greater our number, the greater pressure on remaining acreage to supply our needs, and the competition is fierce to possess and steward. The greater our number, the heavier the weight of Law presses down. Our innate freedoms are contained by order, the concession we make for a quieter, less violent life. In law abiding adhesiveness, society is managed and said to progress. But The Law is just another human construct, socially and politically malleable, some might even say culturally arbitrary, and not always founded upon morality or natural justice.

There’s a self governance to the wilderness which is laudable, and I think we need to participate. We can curtail our greed and limit our numbers. Above all, we may return to this mental state to find our kin and earn their trust. There is truth in our belonging ~ a beautiful Ghedeistual love. And, what’s more, I dare to call the wilderness my home.

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Sense and Sound ~ stimuli and reflex

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“And our ears tell us that the whisper of every leaf and creature speaks to the natural sources of our lives, which indeed may hold the secrets of love for all things, especially our own humanity.” Bernie Krause

Huka Falls on the Waikato River is a boiling blood-riot of water sound. Pull off Thermal Explorer Highway, just north of the city of Taupo, New Zealand, and the cacophony of this eleven metre high waterfall leaps out, and then sucks you in to its vortices with disdain. It’s an auditory spectacle. If you were curious, and leaned too far over the footbridge, you’d be dragged in and crushed by arms of seething, blue foam (Huka is Maori for ‘foam’). If death did not come quickly by drowning, you’d perish by thunderous noise. It’s earth-deafening. You’d be broken into shrapnel.

At age 46, it’s not an everyday occurrence when a huge chunk of key understanding, largely hidden in life, reverberates through my entire being with a deep, resonant rumble. It’s happened twice this last month (lucky me). I write here about only one revelation and will write again about the other. But this one is important. It is the power of sound.

Whilst sitting peacefully at ancient shallow ponds to the West of Cardiff, Wales, I see their flat, silky surfaces puckered by a few whirly-gig beetles. These little beings spin around and around. If I listen intently, I can just hear the bubbles of a newt surfacing for air. A leaf may fall from the oak that spans high above my log-seat, somersaulting down into the surface tension in apparent silence, though other life-forms may have the sense to hear it. There are the songs of passerines, of course, romanticised by many a poet, and not forgetting the old, grey heron, who flaps his wings to escape my gaze. Sometimes, the leaves rustle like surf. The loudest noises, it must be said, stem from Welsh Black cattle that graze in fields over the fence. These pseudo-aurochs bellow, tongues out, making their presence known. Their sound is somehow timeless.

The Huka Falls and these Cardiff ponds are just two auditory experiences I can share in some detail. We have a lifetime of accumulated memory of sound. But I think we largely take these references for granted. Image dominates our 21st C Western culture. Even pop songs are ‘make or break’ depending on the ‘pop’ of videos. Bernie Krause used to make music, a synthesiser player for top names (The Byrds, The Doors, Stevie Wonder, George Harrison) and many Hollywood films of the 1960s and early 70s. Now he is an ecologist, sound wizard and key advocate of the conservation value of soundscapes, a rich three dimensional analysis of ecosystems that the use of the human eye simply cannot match. With some irony, technology is adopted to record and interpret data, though I imagine the sound of an electric mic is very quiet. I listened to his TED talk this week, and it was a revelation.

Our senses, if working well, are fine biological instruments, connecting mind and exterior world with webs and chains of cellular matter and electricity. ‘Messages’ flow from receptor organs to the brain and, at certain times, right back to our skin and muscles in the form of action and reflex. Aristotle is thought to have classified the five main senses (sight, sound, touch, taste and smell), but now we understand that there are more senses than the big five which use differing combinations of receptor organs.

Immanuel Kant, German philosopher of the period of ‘Enlightenment,’ proposed that knowledge of the outside world depends on our distinct modes of perception. In order to define what is ‘extrasensory’ we need to define what is ‘sensory.’

What a pity!

In one swipe, with a blunt knife, Kant cut us away from our environment and other living beings, when perhaps indigenous cultures had/have retained that important sixth sense. There is wisdom in intimacy with the rest of the natural world, unbroken song-lines. The fractures remind me of the nature of progress in human evolution. Maybe basic in our modern make-up is the need to disconnect in order to appreciate the very opposite. As Heraclitus in his ‘Unity of Opposites’ implies;

They do not understand how that which differs with itself in is agreement: harmony consists of opposing tension, like that of the bow and the lyre. (Freeman’s translation)

Barry Lopez writes often about the notion of home verses away, in that the patterns he observes whilst travelling away can bring insight to troubling issues at home. What’s more, whilst away, one is given to appreciate a new perspective on ‘home’. Novelty, new perspectives and the plasticity of the mind are important psychological components to wellbeing ( let us not get stuck in deep ruts).

Back to Huka Falls, and the novelty of sound. The water drains from Lake Taupo and swells up with oxygen, swirling into a turquoise ferment. The river powers into a narrow canyon, just fifteen metres across, noise deepening as a ripping 220,000 litres per second flow by (enough to fill one Olympic sized swimming pool in 11 seconds, so say the tourism brochures). You cannot hear birds or bellows. You cannot even hear one’s own thoughts. It really is power-sound that rumbles through your very fabric. This is a prime example of what Bernie Krause describes as a ‘geophony,’ sound emitted by non-organic phenomenon here on planet Earth ~ a rich audioscape, that we may not even be able to sense fully, from the crackles of aurora to the grinds of the seismic.

Human action, human technology, the sounds of modernity? Bernie calls this ‘anthropophony,’ so it is distinguished from the ‘natural.’ Some human sounds are, of course, controlled, like music and speech, others are chaotic and fragmented. Our unique biological, cultural experiences converge to interpret, for example, in Rudolf Steiner’s educational system of Eurythmy ~ gestures and interpretative movement to sound and in the telling of stories. Our bodily sounds need not be excluded from the “biophony”, sounds emitted from living beings, as we are part of nature. To Bernie, however, the tools we use are ‘other,’ so these are where his line is drawn. What is clear, in the Anthropocene, we are seeming to make a lot more noise!

There are physical, mental and spiritual aspects to our existence. Do our senses overlap, deeply resemble or integrate with all three of these aspects? Each of the five senses consist of organs with specialized cellular structures that have receptors for specific stimuli. These cells have links to the nervous system and thus to the brain. We know that sensing is active at primitive levels in the cells and integrated into sensations in the nervous system, not least by the central nervous system (the spinal chord and brain). Yet we do not fully understand consciousness. God speed, we are all conscious and able to be conscious of one another and other living beings. One ought to be conscious of a snake bite, a storm coming or a broken heart as we are the touch of a healing hand or a loving hug. Is consciousness another fully connected system, into which we are all able to join? Perhaps, we have no choice.

Sight is probably the most developed sense in humans, followed by hearing ~ a generalisation. There will be exceptions to the rule, not least from those who experience the neurological phenomenon of synesthesia, where the senses cross-wires.

Consciousness and mind may create their own forms of reality (although they may not be truths), based on the memories of sensory data fused with our responses. Words, forms, shapes, patterns, colours; they become entwined in a rich complexity (life is complexity). But our senses may well extend out into the environment, the inherent interconnectedness with all that is our one biosphere. Were it not for Kant, Western approaches may still have been in tune with the extended self. In nature, there is a compelling argument, that we humans are deeply entwined with the combined ‘other,’ Dylan Thomas’ quietus of the ‘Green Fuse’, or more distinctly, Glenn Albrecht’s ‘Ghedeist’ (a word full of hope), the positive interconnectedness between all beings via the spirit-force, for a collective good, which all life may play a part. The nature of its inherent ‘doing’ makes this a powerful word indeed.

I am returning to the overall ‘ecophony’ of the Cardiff ponds, where the combined sound of the ecosystem has its own rhythm, its own dance. Though quiet, save for the dawn chorus, it is a wall of sound. I do not sit there in silence. I am sure that, in the detail, data would dance for any soundscaper with the technology to listen and record, beyond human biological ability. And we ourselves could engage in a eurythmy in recognition of both the losses and the gains of our own impacts here upon the Earth. The senses combine and so do our reflexes. I feel a great love for the individual biophony there, a love for the wilder beings residing there. What I love, I wish to protect. Apart from aesthetic qualities, and human musical harmonies, I am now more aware that my love for nature and sound is united in entwined threads extending way beyond my body, and I have Bernie to thank for this.

Finally, Kinesthesia is the awareness of muscle and movement of the joints, enabling coordination to walk, talk, and use our hands with strength, rhythm, and delicate precision. It is what allows us to touch our ear lobes whilst our eyes are shut, or to know where to scratch if we have an itch. I think there may be a kind of kinesthesia in our collective consciousness too, we just need to be reminded (and coached), that it is there and it is powerful. Put it to good use, and we may ‘hear’ good things come from it.

For now, I’ll leave you with more on Bernie’s ‘ophonies’… tap into the Ghedeist, and enjoy.