Tag: wildflowers

  • “You are forsaken,” say the anemones.

    “I have great faith in a seed. Convince me that you have a seed there, and I am prepared to expect wonders.”

    ― Henry David Thoreau

    I ought not to be writing this, because academic deadlines are looming. But I’m seeing many beautiful wildflowers coming into show. I feel compelled to make a note.

    Imagine it is still early Spring. Picture a wood anemone in flower, if you will. And now a quivering constellation of them, and an overwhelming sense of wonder when gazing at these seemingly fragile starbursts just above the field layer of a temperate woodland. A light breeze blows in from a mild front and they sparkle in the morning dew. Ah, the glory.

    “You are forsaken,” say the anemones, so penned the floriographers of the Language of Flowers. But how can I associate emotional abandonment with Anemone nemorosa? They light up my world every Spring. The Victorians must have this all wrong.

    Fast forward to May. This is the time when the opportunity for pollination is done, flowers tarnish and petals shrivel to dust. The flowers are “going over,” as we say, euphemistically. Oh, the disappointment, the grief.

    But I propose there’s nothing “over” about the incredible evolution of double fertilization in angiosperms (flowering plants). Why defuse this kind of beauty with a terminal phrase like “going over”? The essence of flower, surely, includes what happens next. It may not be so sensuous to the body, but it’s certainly a wonder to the mind. The process is nothing short of a miracle.

    We photographers, artists and writers are culpable. Maybe it’s harder to convey this kind of radiance, the consciousness of life growing in the botanical ovary. Ah, the poetry of the dainty flower, the blousy show, the sexy colours and forms that attract us almost as much as the bees themselves! I’m unconvinced we are even any good at culturally admiring our own mode of pregnancy ~ there’s a lot of goo involved, for sure.

    Wood anemones lie dormant for most of the year, spreading out slowly via rhizomes just under the surface of the humous at a rate of about 6 feet per century. I know one patch in North Herefordshire around 600 by 300 feet, so on loose calculation, these plants have been resident since the last ice-age.

    Here’s the rub. Pollination fails, often, because the plant is an obligate outcrosser ~ explored not least by Charles Darwin himself, and defining the trait for pollination from spatially widespread populations in order to successfully produce genetically resilient seed. Woodland fragmentation in the UK means this process becomes less and less likely to succeed. The creeping rhizomes secure survival of the species instead. Seeds have almost been forsaken. So, it pains me to say, perhaps the Victorians were right all along.

    (returns to study)

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  • Britain’s native daffodil

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    Narcissus pseudo narcissus by Ginny Battson © 2016

    “It had been huddling like an old gray woman
    grabbing her shawl, in an underground house,
    stirring a promise to return.
    Soon its six petals harmonic sense will bring love”.

    (Daffodils by Martin Willitts Jr, Dylan Thomas International Poetry Award – Winning Poem 2014)

    Britain’s native daffodil, Narcissus pseudonarcissus ssp pseudonarcissus, the Lent Lily, is a tribute to the powers of early Spring. She brings light and gentle movement to the stiller, wetter soils, whilst also foretelling of community, gathering in ‘crowds’ as poet William Wordsworth also witnessed.

    The Victorian ‘Language of Flowers’ suggests a daffodil speaks of unrequited love, but I know this not to be true. I feel her generous love, despite other claims. There is a fullness and warmth to it, and I urge others to seek it out, at least once in a lifetime. Relish the glow, with each petal a ray of sun and easy intelligence. Her yellow sparkles will bring you a broad smile.

    Once so common, she now survives only in patchy corners of woods, paddocks and orchards, mostly to the West of Britain. Yet, exquisite in her survival of the ravages of modernity, she charges me with a sense of hope. We are far less without hope.

    There is a ‘crowd’ of native daffodils I know residing in the hillside hamlet where I grew up. Thankfully, there are still wilder corners of the hill spared from modern human drives for uniformity, though I do worry about the local ‘conservation’ group and their tendency for cutting back and burning. Regardless, the daffodils flower in between expensive properties that were once farm workers’ cottages, and hardcore tracks paving the way for Landrovers instead of work horses and carts. I could take you straight to the spot, under young trees, with enough light on a south facing slope, and enough moisture in short, mossy understory. Above a subterranean swell of bulbs and roots, the small, paler blooms glow to greet us. It’s hard not to lay down in the damp, and listen to their seemingly wide open mouths, corona painted a richer yellow than their petals.

    There’s a light breeze flowing through short stalks and grey-green leaves so you’ll have to listen closely….. “love you, love life.”

    I’ve stolen some photos, selfishly hoarding them as a reminder for a darker time, to bring me warmth when most needed. It won’t be the full effect, but enough to tip a balance.

    In exchange, I write this in honour of our native daffodil, so that we may preserve, cherish and encourage her to flourish in golden crowds. I ask you to rage against anyone trying to harm her. Enjoy her conversation. Most of all, accept her love and the love of her kind. And you might wish to return it, for it’s in giving that joy is really to be found.

    For more on UK’s native daffodil, do click through to Kew

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